Jon Swift has notified us of a new danger within the ranks of our very own military -- community theater actors! He tells us the terrifying story of Bleu Copas, a soldier who was accused in an anonymous email of being gay, a strict no-no in this man's army. In following up on the accusations, army investigators asked Copas if he acted in community theater, and his positive response was all they needed to boot him out of the service for good.
It turns out that while he was serving in the military, unbeknownst to his superiors, Bleu Copas (whose name sounds like a stage name, which should have been a clue) had acted in three community theater musical productions: 'Ragtime', 'Children of Eden', and 'Beauty and the Beast'. And apparently he has not reformed his theatrical ways since being drummed out of the military as he has just been cast as the male lead in a production of 'Bye, Bye Birdie'. I don't know how many of you have seen a community theater production, but I can tell you from horrifying first-hand experience that community theater is not very good at all. The thought of one of our fighting men tromping around onstage with a bunch of amateur actors in front of slapped together plywood scenery singing wretched show tunes is just too horrible to imagine. I don't know how many other soldiers are currently involved in community theater but I think the Pentagon needs to launch a full-scale investigation immediately. If it turns out that there is a cabal of thespians in the military recruiting other soldiers to perform in sad little theaters across the country, it needs to be nipped in the bud as soon as possible for the safety of our country.Agreed. Which is why is was extra-horrifying to read in the treasonous newspaper of record, the New York Times, about a theater program in Maine which teaches storytelling and acting to wounded soldiers as a way to assist in their rehabilitation. So, on one hand, we are kicking them out of the military if they are actors and on the other hand we are 'helping' them by teaching them acting? This sounds like a
And once we realize the program is a plot, we are not surprised to learn that the originator of the program is a Catholic monk.
The idea for the program came from Brother Rick Curry, a Jesuit who founded the workshop 19 years ago to provide what he simply calls 'options' for disabled theater artists. About 3,000 disabled students have participated in acting, music, dance and writing classes since 1977, said Brother Curry, 63, but the program had never before specifically sought out veterans. Last July, however, he met an Iraq war veteran whose leg had been amputated above the knee. Brother Curry, who often wears a clerical collar, recalled that the veteran "pulled me aside and said: 'Brother, I don't know where I am. I'm more scared than I was in Iraq.'"As if that is going to happen. As if one of our brave, wounded veterans is going to have any doubts at all even if they have left body parts behind in Iraq.
Brother Curry wondered if theater might help the soldier find his way. "I thought that a writing program would work," he explained. "They all have a story to tell, and telling a story theatrically gives you a voice that you can share. It emboldens you."Once we realize the depths to which the obviously deranged moonbat crackpots have sunk, we should be concerned about what they are going to do to our brave wounded veterans!
He speaks from experience. He was born without a right hand and forearm. When he was 6, his father enrolled him in an acting class near their home in Philadelphia to help him eliminate a stutter. Brother Curry said he experienced 'the transformative power of the arts.' He recalls the class as 'a watershed in his life,' saying acting inspired him with confidence.
The staff members had their reservations as well. "I was concerned at first," said Jerome McGill, an alumnus of the acting program who now serves as a resident playwright and mentor. "I thought these guys have kind of a macho sensibility." But the program's communal lifestyle and rigorous morning-to-evening schedule helped the two groups quickly integrate. "I realized after the first day that they really did fit in," Mr. McGill said.So, the deranged moonbat lunatics are forcing our brave soldiers to live communally as if they were just abject communists. And they are forcing them to follow a rigorous daily schedule. What other indignities are they imposing on these brave young men?
Mr. Conforti's work is supported by that staple of creative writing workshops everywhere: peer criticism. Faculty and students take meals together. Trading ideas and stories throughout the day, the veterans describe the program as a "full-immersion" experience.Isn't 'full immersion' considered torture now? And the brave soldiers have to tolerate the additional torture of constant and unrelenting criticism -- at breakfast, lunch and dinner!
And what is the ultimate nefarious goal of the disturbed moonbat head cases?
Mr. McGill said the work's impact would go beyond the individuals who create it. "We're going to have a whole new population of people with disabilities helping to create a body of dramatic literature about disability," he said. "It's going to enrich the literature we create."Sounds like a plan for world domination to me!
Cross posted to Little Green Fascists.